Description
Apocalyptic Witchcraft by Peter Grey is a bold project which does not seek to impose an orthodoxy on what is the heresy of heresies. Instead, it suggests a way forward. Apocalyptic Witchcraft gives a compelling and profound account of the Sabbat and Wild Hunt as living experiences. These are the core of our ritual practice. Dream, lunar and, critically, menstrual magic are explored as a path to this knowledge. The wolf, the devil, and the goddess of witchcraft are then encountered in a landscape that ultimately reveals the witch to her or himself. These are not separate threads, but arise from a deep mythic structure and are woven together into a single unifying vision. Alternating between polemic, poetic and ecstatic prose, an harmonious course is revealed in a sequence of elegant stratagems. The book is threaded together with a cycle of hymns to Inanna, pearls on the tapestry of night. Seemingly disparate aspects are joined into a vision which is neither afraid of blessing nor curse. This is a daring undertaking, born from both urgency and need. It offers a renewed sense of purpose and meaning for a witchcraft that has seen many of its treasured ideas about itself destroyed. An apocalyptic age demands an apocalyptic witchcraft, and this is a book which is offered up to revolutionize the body of the craft, a way out of the dark impasse.
Tradition is not static, it flows, and this work pours forth a vision for the future. Founded in pilgrimage and ritual, encountered in dreams and gleaned from the conversations of both doves and crows, a remarkable narrative unfolds. Its wings span from prehistory, through the witch panic and it emerges fully fledged into our present moment of crisis. It offers a witchcraft for our time.
About the Author
Peter Grey is a writer, and the co-founder of Scarlet Imprint. He is the author of The Red Goddess (2007), which has become the standard work on the goddess of Revelation. His Apocalyptic Witchcraft (2013) has been called the most important modern book on witchcraft, placing it in the mythopoetic context of the sabbat and in a landscape suffering climate and ecological collapse.
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